Gigs

Godseepd You! Black Emperor – 18-04-14 – Vicar Street

Hope

Did I ever tell you about the time I saw Godspeed You! Black Emperor three times in three days? Possibly a story for another day. One of my personal favourite bands for large sweeping soundscapes (God, I love that word) are the bold Godspeed, and you have a chance to witness it for yourself in Vicar street in April of next year. Full details and press blurb below.

U:mack Present – Godspeed You! Black Emperor
Saturday april 18 – Vicar Street
Tickets €27 from http://www.tickets.ie/umack & http://www.ticketmaster.ie

Godspeed you! Black Emperor play an ultra rare gig in Vicar Street on Saturday April 18. Tickets on sale.

Godspeed You! Black Emperor began with Efrim, Mauro and Moya in the early 90s, playing a handful of shows and recording a self-released cassette as a trio before deciding to transform the group into a large band. Recruiting numerous Montreal musicians through 1995-1996, GYBE mounted sense-rattling wall-of-sound performances, featuring as many as 14 musicians and several 16mm film projectors, before recording their debut vinyl-only Constellation album in 1997. They transformed a warehouse space into the Hotel2Tango, a DIY hive of activity with band rehearsal rooms, silkscreen and wood shops, and weekend shows that took place under the radar. The group settled into a permanent nine-member line-up by late 1998, with Aidan and Bruce on drums, Thierry and Mauro on basses, Efrim, Dave and Roger on guitars, and Norsola and Sophie on cello and violin respectively. The band toured and recorded incessantly from 1998-2002 and gained a reputation for mesmerising live shows marked by orchestral dynamics, epic rock power and clunky, beautiful film loops. After four records, GYBE announced an indefinite hiatus in 2003; which lasted until December 2010, when the band returned to curate and performs at All Tomorrow’s Parties in the UK, followed by extensive international touring. October 2012 saw the release of ‘ALLELUJAH! DON’T BEND! ASCEND!, their first recorded work in a decade, to widespread critical acclaim.

 

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