PJ Harvey – I Inside The Old Year Dying – Album Review
by Killian Laher
This is PJ Harvey’s first album of new material in seven years, and it’s one of her spookiest albums. There’s a lovely strangeness throughout it, right from the muted opener Prayer At The Gate with its haunting do-do-doos. The songs here are uniformly strong if a little unsettling, the soaring gloom of Autumn Term and the moody Lwonesome Tonight two highlights early into the album. After an acapella beginning Seem An I is more traditional Harvey fare, albeit very much on the stripped-down side of her material.
Elsewhere, the woozy, indistinct All Souls has bags of charm yet will have you scratching your head wondering what’s going on with it. A Child’s Question August is one of the more accessible moments here, a slow, downcast march. Here and elsewhere in the album, ‘love me tender’ is a recurring lyrical motif, cropping up here, as well as in Lwonesome Tonight and the distorted August. Again the ghostly Inside The Old I Dying is gloriously moody, you won’t have a clue why you like it, similarly, A Child’s Question July, introduced by John Parish. But after several listens you notice the exquisite playing across these tracks. The final track A Noiseless Noise belies its title, it’s the noisiest thing here with drums and clanging guitars.
The songs are short and slight, but it works, in a similar way to Nick Cave’s Push The Sky Away. A summer soundtrack this is not, it’s for quiet nights in.
A Child’s Question, August
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