Dublin Dance Festival 2018 – Preview
2 – 20 May 2018
Another year, another Dublin Dance Festival. We’ve decided to have a look through the programme and give you a few recommendations. As ever, it’s a programme worth exploring, so see if you can find something that tickles your fancy.
This year, the big event is the English National Ballet version of Giselle which will take place in the Bord Gais Theatre from May 2nd to 6th. Not to be missed…
“Performing in Ireland for the first time in over 55 years, the English National Ballet opens the 2018 Dublin Dance Festival with Akram Khan’s breath-taking reimagining of Giselle.
This heartrending story of love, betrayal and redemption is performed by the full cast of 40 dancers under Artistic Director, Tamara Rojo, accompanied by the RTÉ Concert Orchestra. One of the greatest romantic ballets of all time, Giselle receives a new, contemporary interpretation by Khan, award-winning choreographer and one of the most original and exciting artists today.”
There’s also the spectacular looking And so you see… which is a production from Germany & South Africa. It will run at the Project Arts Centre on May 8th and 9th.
“Robyn Orlin, controversial choreographer and societal commentator, partners with Albert Khoza, a young flamboyant performer from Soweto, in And so you see…our honourable blue sky and ever enduring sun…can only be consumed slice by slice…”
Choreographer Oona Doherty has won many plaudits in recent years and she returns with Hard To Be Soft – A Belfast Prayer which will feature on the main stage of the Abbey on May 18th and 19th.
Trailblazing dancer and choreographer Oona Doherty, in collaboration with renowned DJ and composer David Holmes and designer Ciaran Bagnall, presents Hard To Be Soft – A Belfast Prayer. A reflection on their hometown, this four-part dance work is based on the experience of living in today’s Belfast.
Why is group synchronicity so alluring? What compels birds to flock in a limitless sky, or people to subconsciously coordinate their movements? What if we are all ions, electrically charged atoms moving through space?
Ten dancers explore the power of group dynamics, the sharing of a common rhythm, the sixth sense of belonging. They do not chase that fleeting moment of perfect unison. Instead, they pursue a pattern of movement, both harmonious and elusive. In doing so, this minimalistic piece offers a poetic reflection on the natural order of things and the unspoken rules which often escape us.
Irish Company Junk Ensemble return with a piece about one of my favourite novels! It’s in the unusual venue of the Chocolate Factory (what is happening with the Pod exactly?) from the 8th to the 13th of May. You can find full details about Dolores here.
Inspired by Vladimir Nabokov’s poetic and disturbing novel Lolita, Dolores is a powerful, uncompromising work which offers a new take on the story.
Told from the perspective of the once-silenced girl, Dolores gives voice to three distinct aspects of the character: the neglected and traumatised child, the candy-fed girl filled with American hopes and dreams, and the enraged woman full of fire and revenge.
Don’t forget the Fast Track to Dance either. More on that later…
The 2018 Festival will include:
- The English National Ballet opening the 2018 Dublin Dance Festival with Akram Khan’s breathtaking re-imagining of Giselle performed by a cast of 40 dancers under Artistic Director, Tamara Rojo, and accompanied by the RTÉ Concert Orchestra
- Catedral, a masterpiece from ground-breaking star of the flamenco world Patricia Guerrero
- Hard To Be Soft – A Belfast Prayer, trail-blazing dancer and choreographer Oona Doherty’s reflection on her hometown
- The Top 8 Street Dance Battle showcasing the best Irish and international street dancers, back after a storming, sold-out show last year
- A guide through the seven mortal sins in And so you see…created by controversial choreographer and social commentator Robyn Orlin in partnership with Albert Khoza, a flamboyant young performer from Soweto
- Junk Ensemble’s powerful new work Dolores, inspired by Nabokov’s novel Lolita, told from the perspective of the once-silenced girl,and featuring a cast of acclaimed performers including Mikel Murfi and Amanda Coogan
- Following the success of the captivating Elvedon at DDF2017, Greek choreographer Christos Papadopoulos returns with the meditative and hypnotic universe of Ion
- At the Science Gallery, Dancing Artificial Intelligence (DAI) – a robot who is an Artificial Intelligence artist, learning how to dance day after day
- A special programme at IMMA of the work of Yvonne Rainer, one of the most influential American artists of the last 50 years, including some of her iconic early dance works
(b)reaching stillness in which choreographer Lea Moro takes Baroque still life painting as a starting point, creating a cycle of collapse and resurrection
- Liz Roche Company’s Wrongheaded which emerged amidst the call to repeal the 8th Amendment and merges film, voice and movement to confront the stark realities of women’s rights and freedom of choice in Ireland today
- Leila’s Death, a stirring work by Lebanese choreographer and performer Ali Chahrour, which delves into the fading tradition of professional Shiite mourners
For audiences aged 7+, Philippe Saire’s magical children’s show Hocus Pocus at the Ark takes the audiences on a fantastical voyage
- The Dance on Film programme with Akram Khan’s Can We Live With Robots? and Bobbi Jo Hart’s Rebels on Pointe which tells the story of the all-male comic ballet company Les Ballets Trockadero de Monte Carlo
- A Life of Play, a creative dance and play project for children aged 5–10 and their older family members aged 50+ with Emma O’Kane
- A chance to see new Irish dance work from artists Ruairí Donovan, Iseli-Chiodi Dance Company and Jessie Keenan in the First Looks programme
- A wealth of opportunities to discuss and explore dance