Tender Napalm – Smock Alley – Review by C. K. MacNamara
27 Jun – 9 July | 8pm | Boys School

Centring on the ruin of love between two lyrical lovers, Tender Napalm, written by Philip Ridley is a deeply funny if contrived story that its actors ultimately save from being so-so through the sheer energy of their performances.

The two-track story being told, between the lovers childish island fantasy – “no the monkeys like me better!” – and the Gatsby-esque birthday party attended by the two on the eve of a tragedy that slowly reveals itself, is a method of storytelling that requires constant shifting between actors Tadgh and Dorrell, who do so with masterful grace.

Ridley’s writing is the weak link in this equation; under the careful direction of Sarah Finlay, the narrative nonetheless grows repetitive under its script, with the skeletal framework of the scene-to-scene story sticking out before too long. Indeed it is the passionate performances which ultimately save this story from being a tedious slog, with sincere writing and character arcs taking a backseat to cyclical vignettes and one liners.

What we have then is a lacklustre story ultimately saved by its impeccable directing and performances. The moments of comedy shine brightly through the leaping energy of Tadgh, and the powerful acting of Dorrell. A climatic scene wherein she breaks down is a genuinely profound spectacle.

In spite of its occasionally shaky foundations, the play rises to be a blend of hilarity and passionate sincerity, never missing a beat to hit the audience in the heart when it matters. The result is perfectly encapsulated in its title – tender and fiery.

CAST

MAN Stephen Tadgh
WOMAN Ashleigh Dorrel

CREATIVE TEAM

Director: Sarah Finlay
Set & Costume Designer: Áine O’ Hara
Lighting Designer: Cillian McNamara
Sound Designer: Enda Roche

PRODUCING TEAM

Executive Producer: Stephen Tadgh
Creative Producer: Soazig Metrope
Marketing Assitant: Caoimhe O’ Carroll
Stage Manager: Sinead Purcell